Vaqueros de la Cruz Del Diablo

September 24, 2021 – January 23, 2022

Werner Segarra’s Vaqueros de la Cruz Del Diablo invites audiences to peer into the world of the Northern Mexican Vaquero – not as a casual tourist, but as an intimate observer. With over 20 years of images of the Vaqueros, this project reflects a complex contemporary composition of the everyday life of the Vaquero. Realistic moments of how they view themselves, surrounded by the tools of their trade, intertwined with the realties of their existence – family, religion, tradition, culture, work and animals – reflecting a legacy that reaches back over generations and is the birthplace of the modern Cowboy.

In a world that has never been more connected through mass media and where distinct cultures are increasingly becoming homogenized – Vaqueros de La Cruz Del Diablo stands out as a contemporary, authentic reflection of a way of life that is on the brink of disappearing. Through his lens, Segarra combines elements of metaphoric composition and realism – not merely documenting the Vaquero, but bringing forward through his images both meaning and a celebration of his subjects and their way of life. The images in this collection are photographed in an Architectural Portrait style with the Vaqueros purposely situated in their context, without exaggeration, stage-effect or overexposure. The images are intended to reveal intimate details of the subjects environ, where the past and the present collide in the intricate features of Vaquero’s world.

ARTIST BIOGRAPHY
Werner Segarra, lived his childhood and adolescence in various countries around the world, which helped to cultivate his artistic sensibility and respect for native cultures. As an adolescent he became immersed in the world of the Vaquero Norteno as an exchange student and overtime sought to share his love and respect for their world through his photography. Segarra is one of the Southwest’s celebrated photographers and has had various exhibitions and been featured in prominent reviews including the New York Times Lens Blog